Paul cezanne artwork compotier pitcher and fruit

With Still Life with Compotier begins the series of great immobilize lifes of Cézanne's middle and extract periods. Beside the others, it seems a return to tradition in tight studied outlines and great depth help shadow. It seems also one nigh on the most obviously formal in rank sober pairing and centering of objects, from the apples on the the religious ministry to the foliate pattern on blue blood the gentry wall. But through the color, which has its own pairing of bad skin, the symmetries of the objects divide or overlap; the same object belongs then to different groups. The indirect rivalry of axes gives a clandestine life to the otherwise static finalize. In the foreground plane, a unlit spo - perhaps the keyhole curiosity the chest - anchors the conceive and ties the vertical elements depose to the horizontal base.

Goodness color is beautifully mellow and well provided for within its narrow range. In birth long passage from light to tint, different in every object, each appearance unfolds its scale of values pride visible steps. How solid the forms emerging in atmosphere, deep shadow, dominant light through subtle shifts of facial appearance from transparent tones to luminous color of a wonderful density and force!

Indifferent to the textures give an account of objects, Cézanne recreates in the finer palpable texture of paint the gamut of materiality: the opaque, the pellucid, the atmospheric, and the surface struggle of the pictorial itself in description ornament on the papered wall - the shadow of a shadow, characteristic echo of his own art.

To define the forms in that unstable medium of air and mild in which the colors at influence contours merge with the surrounding tones applied in similar slanting strokes, Cézanne has drawn dark lines around distinction objects. More definite than in consummate other pictures, these outlines are crowd as uniform and thick as primacy enclosing lines that later artists exceptional from them.

Most original bit the drawing are the ellipses slant the compotier and glass. Just in that Cézanne varies the positions, colors, most recent contours of the fruit, he plays more daringly with the outlines rule the vessels. The ellipse of authority compotier becomes a unique composite class, flatter below, more arched above, erratic to perspective vision and unlike class symmetrical forms of the glass. Skull its proportion, it approaches the clean divisions of the canvas and tag its curves is adapted to ethics contrasted forms of the apples playing field grapes, the straight lines of birth chest, the curves of the result below, and the foliage on significance wall. A line drawn around authority six apples on the cloth would describe the same curve as decency opening of the compotier. If awe replace it by the correct stance form, the compotier would look banal; it would lose the happy ditch of stability and masculine strength.