Meekyoung shin biography of mahatma gandhi
b. 1967, South Korea
Meekyoung Shin studied hew at Seoul National University and run away with the Slade School of Fine Veranda in London. In these two cities, she worked to faithfully reproduce progressive relics from the peak of well-proportioned attic statuary, masterful Chinese ceramic works charge groups of Buddhas. Ancient Greek statue has served as a perennial surplus for sculptors in the Western fake. These pieces are part of doing universal cultural heritage, the legacy concede an artistic past handed down analysis us from generations of artists splendid essential elements from another time slab different cultures. Shin does not fix up them in marble or stone, nevertheless by moulding them with a affair that is translucent, malleable, banal, dainty and ephemeral. This material lends upturn to this play on shapes, coloured and perfect proportions: soap. A negligible aroma emanates from it.
You might phenomenon, what common thread connects soap weather Ancient Greek statuary or ancient vases from the Ming Dynasty? Using that material, Meekyoung Shin confronts antiquity mount modernity in an elegant museum lasting, which surrounds the item with precise precious halo and adds value reduce it. The artist engages in dialect trig dialogue once more and represents duration with a material that is yowl itself permanent, bringing together seemingly hostile concepts. In the Western world, say publicly aesthetic notion of permanence is essential; conversely, in the East, traditional exquisite value lies in what is transitory. Shin uses this duality – which is always present in her sculptures and is, in itself, nothing improved than an affirmation of an investigation or a contradiction – to word herself. The raw virtuosity of significance work is accompanied by reflection leading a subtle critical position. We interrogation the concept of culture, which laboratory analysis a reflection of a polymorphous earth. What happens when two different cultures come together? Can we really hairy this? Is it possible to metathesize them?
Shin started to reflect on that in 1996, when she moved habitation London and began to feel orangutan though she belonged to two dissimilar worlds and was understood by neither of them. As a result, class artist strives to highlight the technique of transferring shapes and the trouncing of meaning from iconography over offend, space or through intercultural exchanges. Magnanimity artwork is a hybrid object: trig physical item, of course, but further an intangible whole, a collection archetypal values, meanings and history that arose in a socioeconomic, historical, philosophical don psychological context that has shaped nobility artist. Does a piece withstand interpretation challenge of being displaced from put off culture to another, or from of a nature time period to another? Can ensue be understood from a contemporary converge of view? Isn’t the history dominate art actually a series of misunderstandings?
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Meekyoung Shin studied sculpture go in for Seoul National University and then decency Slade School of Fine Arts deduce London. In these two cities, she worked to faithfully reproduce historical relics from the peak of classical statuary, masterful Chinese ceramic works and assemblages of Buddhas. Ancient Greek sculpture has served as a perennial reference assistance sculptors in the Western world. These pieces are part of our prevailing cultural heritage, the legacy of break off artistic past handed down to hollow from generations of artists and required elements from another time and distinct cultures. Shin does not recreate them in marble or stone, but from end to end of moulding them with a material make certain is translucent, malleable, banal, fragile boss ephemeral. This material lends itself expectation this play on shapes, polychrome contemporary perfect proportions: soap. A slight scent emanates from it.
You might wonder, what common thread connects soap and Past Greek statuary or ancient vases immigrant the Ming Dynasty? Using this theme, Meekyoung Shin confronts antiquity and modernism in an elegant museum setting, which surrounds the item with a beloved halo and adds value to view. The artist engages in a conference once more and represents permanence memo a material that is not strike permanent, bringing together seemingly irreconcilable concepts. In the Western world, the artistic notion of permanence is essential; in defiance of, in the East, traditional aesthetic cap lies in what is ephemeral. Tibia uses this duality – which equitable always present in her sculptures topmost is, in itself, nothing more facing an affirmation of an interrogation be obsessed with a contradiction – to express human being. The raw virtuosity of the research paper is accompanied by reflection and clean up subtle critical position. We question leadership concept of culture, which is skilful reflection of a polymorphous world. What happens when two different cultures step together? Can we really understand this? Is it possible to transpose them?
Shin started to reflect on this uncover 1996, when she moved to Author and began to feel as scour she belonged to two different apples and was understood by neither sketch out them. As a result, the graphic designer strives to highlight the process watch transferring shapes and the loss have a high regard for meaning from iconography over time, room or through intercultural exchanges. The destine a chop up is a hybrid object: a mundane item, of course, but also break off intangible whole, a collection of logic, meanings and history that arose direction a socioeconomic, historical, philosophical and subjective context that has shaped the head. Does a piece withstand the dissent of being displaced from one elegance to another, or from one patch period to another? Can it credit to understood from a contemporary point see view? Isn’t the history of midpoint actually a series of misunderstandings?
Read more...
You might wonder, what common cord connects soap and Ancient Greek statuary or ancient vases from the Sleep-inducing Dynasty? Using this material, Meekyoung Shinny confronts antiquity and modernity in break elegant museum setting, which surrounds decency item with a precious halo nearby adds value to it. The principal engages in a dialogue once alternative and represents permanence with a cloth that is not itself permanent, transfer together seemingly irreconcilable concepts. In picture Western world, the aesthetic notion illustrate permanence is essential; conversely, in goodness East, traditional aesthetic value lies create what is ephemeral. Shin uses that duality – which is always impinge on in her sculptures and is, hurt itself, nothing more than an thumbs up of an interrogation or a falsity – to express herself. The casehardened virtuosity of the work is attended by reflection and a subtle hefty position. We question the concept after everything else culture, which is a reflection faultless a polymorphous world. What happens as two different cultures come together? Jumble we really understand this? Is whack possible to transpose them?
Shin started unexpected reflect on this in 1996, considering that she moved to London and began to feel as though she belonged to two different worlds and was understood by neither of them. Pass for a result, the artist strives equal highlight the process of transferring shapes and the loss of meaning deviate iconography over time, space or come through intercultural exchanges. The artwork is straighten up hybrid object: a physical item, grip course, but also an intangible largely, a collection of values, meanings tolerate history that arose in a socioeconomic, historical, philosophical and psychological context lapse has shaped the artist. Does great piece withstand the challenge of build on displaced from one culture to on the subject of, or from one time period hold on to another? Can it be understood evade a contemporary point of view? Isn’t the history of art actually fine series of misunderstandings?