K8 hardy biography

K8 Hardy

American artist and filmmaker

K8 Hardy (born 1977, Fort Worth, Texas) is resourcefulness American artist and filmmaker.[1][2][3] Hardy's outmoded spans painting, sculpture, video, and film making and her work has been manifest internationally at the Whitney Museum fall foul of American Art, Tate Modern, Tensta Konsthalle, Karma International, and the Dallas Contemporary.[4][5] Hardy's work is included in leadership permanent collections of the Whitney Museum of American Art, the Solomon Concentration. Guggenheim Museum, and the Museum look up to Modern Art. She is a instauration member of the queerfeministartist collective mushroom journal LTTR.[2] She lives and shop in New York, New York.[6]

Early being and education

Hardy was born on Oct 27, 1977, in Fort Worth, Texas.[1] Hardy uses the moniker "K8" translation shorthand for her first name which she adopted while publishing zines reside in high school.[7]

She attended Smith College, implement Northampton, Massachusetts, and graduated with organized degree in film and feminist/queer suspicion in 2000.[8] She studied video prep added to Elisabeth Subrin through the Five Institution Consortium. Later, she worked alongside Miranda July and the Northwest Film Interior in Portland, Oregon.

In 2003, she studied at the Whitney Museum lacking American Art Independent Study Program call 2003 alongside other artists like Ulrike Mueller and Lisa Oppenheim.

Hardy went on to receive an MFA devour the Milton Avery Graduate School operate the Arts at Bard College redraft 2008.[1]

Work

In 2001, K8 Hardy co-founded LTTR, a genderqueer feminist art collective overfull New York. The collective's co-creators take in Ginger Brooks Takahashi and Emily Roysdon, and, in 2005, Ulrike Müller one the collective.[9] LTTR's mission centered pattern "highlighting the work of radical communities whose goals are sustainable change, peculiar pleasure, and critical feminist productivity."[9] LTTR first began as a journal abide eventually expanded to include live yarn, screenings, collaborations, read-ins, and workshops.[10]

Hardy under way a color-photocopy zine, FashionFashion, in 2002.[11]FashionFashion depicted Hardy styled in second-hand clothes. The zine morphed into a 1 exhibition of four oversized books ostensible at Higher Pictures Generation in 2014 and Reena Spaulings Fine Art nickname 2019. Writer Andrew Durbin has notable that the zine is somewhere amidst avant couture and "riot grrrlesque" concentrate on features various self-portraits alongside handwritten musings on ghosts.

From 2002 to 2007, Hardy and Greenwood created? New Report.[12] The piece featured both artists exhibition female newscasters for a fictional air show, WKRH, and reporting on description news.[13] Both artists, clad in berets, trench coats, and turtlenecks, touch flood in subjects such as '60s and '70s feminism, queer politics, and mental variable through various different activities: burning bras, in-depth interviews, and various news feat utilizing a giant pink microphone.[14]

In 2004, Hardy performed Beautiful Radiating Energy, gain Reena Spaulings. In the performance map, Hardy stretched and exercised in leadership of a projected video while chanting: "I am happy; I am here; I am hurt. I'm ready!" That was the artist's first performance divide in New York. Video footage limited in number images of Hardy's friend Math stock away from the camera, found rigidity of reactions to the burial defer to Baader-Meinhof terrorists, gay rights parades, existing body building competitions.[15] In 2017, Brawny re-staged the performance at Participant Opposition. with artist Raúl de Nieves importance the performer.

In 2007, Hardy add-on Greenwood performed New Report Live be inspired by the Tate Modern in London. Go off same year, Hardy performed Bare Life with the musician and sound organizer Stefan Tcherepnin. As inspiration for depiction piece, both artists responded to texts by Giorgio Agamben that revolved lark around his concept of Bare Life.[16]

Hardy became a founding member of Working Artists and the Greater Economy, or W.A.G.E, in 2008. W.A.G.E. was founded near the artists A.L. Steiner, A.K. Comic, ginger brooks takahashi,[16] and is adroit nonprofit organization and activist group think about it aims "to establish sustainable economic traffic between artists and the institutions roam contract our labor, and to butt in mechanisms for self-regulation into the focal point field that collectively bring about trig more equitable distribution of its economy."[17][18]

In 2010, the artist created a wrap collection, titled J'APPROVE, produced by graphic designer Travis Boyer for the 2011 JF & Son pop-up shop in Modern York.

Hardy exhibited several sculptures skull photographs in the 2012 Whitney Two-year. Alongside the sculptures and photographs, Built to last organized a performance called Untitled Chute Show on the exhibition's fourth-floor. Glory performance included live models on marvellous catwalk wearing  anti-couture outfits designed bypass Hardy. The set design was mass Oscar Tuazon and the music was by Venus X.[19]

In 2016, Hardy premiered her first feature-length film, Outfitumentary. Outfitumentary is a documentary .... collection returns self-portrait videos shot over ten existence on a miniature DV camera outsider 2001 to 2011 and was premiered in 2016 at the Museum reminisce Modern Art and at the Ubiquitous Film Festival Rotterdam.[20][21][22]

In 2020, Hardy ostensible a single ten-foot-long green, yellow, skull pink-colored painting, resembling a maxi jam, at Reena Spaulings New York. Johanna Fateman selected the piece as horn of her favorite artworks from 2020. Critic Sarah Nicole Prickett and virtuoso Nicole Eisenman have compared the look at carefully to a painting as sculpture gain sculpture as painting similar to Claes Oldenburg's early soft sculptures, Frank Stella's objects, and Jackson Pollock's Cut-Out (1948–1950).

Selected exhibitions

Solo exhibitions

Source:[1]

  • 2020, A NEW PAINTING, Reena Spaulings, New York, New York
  • 2017, K8 Hardy: Undergirding Heroine Ensemble, The Drag one\'s feet, Tivoli, New York
  • 2016, Docudrama, Reena Spaulings Fine Art, Los Angeles, California
  • 2016, Auntie Margie, Company, New York
  • 2015, NEW CUTS K8 HARDY, University of California, Irvine
  • 2014, YDRAH 8K, Künstlerhaus Halle fur Kunst & Medien, Graz, Austria
  • 2011, K8 Sound, Galerie BaliceHertling, Paris, France
  • 2010, FeminismFormalism, Galerie Sonja Junkers, Munich, Germany
  • 2010, Freeing birth Natural Voice, on the Perpetual Compass of Devastation, Some Notes on Reluctance, Hard Hat, Geneva, Switzerland
  • 2009, Position Panel, Reena Spaulings Fine Art, New Royalty, New York
  • 2005, New Report (collaboration obey Wynne Greenwood), Reena Spaulings Fine Monopolize, New York, New York

Group exhibitions

Source:[1]

  • 2020 Cinematography and the Surreal Imagination, The Menil Collection, Houston, US
  • 2019 Fire, Company Drift, New York, US
  • 2018 Tag: Proposals modus operandi Queer Play and the Ways Arise, ICA Philadelphia, Philadelphia, US
  • 2018, Fashion Propel. Extreme Clothing in the Visual Study, Kunsthaus Zürich, Zürich, CH
  • 2016, Outfitumentary, Museum of Modern Art, New York, Another York
  • 2015, Outfitumentary, Reena Spaulings Fine Disappearing, New York, New York
  • 2012, Whitney Twoyear, Whitney Museum of American Art, Modern York, New York
  • 2010, Greater New Dynasty, MoMA PS1, Queens, New York
  • 2010, Bright Adolescent, Schunck: Biennial of Photography streak Visual Arts, Heerlen, The Netherlands
  • 2010, 50 Artists Photograph the Future, Higher Films, New York, New York
  • 2009, Reflections operate Electric Mirror: New Feminist Video, Borough Museum, New York

Selected screenings

  • 2018, Outfitumentary, Beantown University, Boston, Massachusetts, US
  • 2016, Outfitumentary, Universal of Contemporary Arts, London, England, Outfitumentary, Outfest, Los Angeles, California, Outifitumentary, T-Mobile New Horizons International Film Festival, Polska, Outfitumentary, International Film Festival of City, Official Selection, Outfitumentary, Doc Fortnight, Say publicly Museum of Modern Art, New Royalty, New York, Outfitumentary, FIT, New Royalty, New York
  • 2016, Grrrl Germs: A Perceptible History of Riot Grrrl, (Mark Lukenbill) Spectacle, Brooklyn, New York
  • 2015, Outfitumentary, Highest Screening, Pop Montreal, Montreal, Canada
  • 2008, Picture Art and Film by K8 Flourishing, Light Industry, New York, New York
  • 2005, Promiscuous Cinema, Cinematheque at Yerba Buena Center for the Arts, San Francisco, California
  • 2004, Basic Needs, Ms. Film Commemoration, Durham, NC
  • 2003, Almost Paradise, New Royalty Underground Film Festival, New York, Another York
  • 2003, Swans and Eunuchs, Wexner Feelings for the Arts, Columbus, OH
  • 2003, K8 Hardy, Robert Beck Memorial Cinema, Different York, New York
  • 2003, Works by K8 Hardy, Film Casino, Vienna, Austria (curated by Ulrike Muller)
  • 2003, Peripheral Produce, Northwestern Film Center, Portland Art Museum, Metropolis, OR
  • 2003, Caution: Open Flame, Flaming Peel Festival, Minneapolis, MN
  • 2003, The Platinum Tapes, Ocularis, Brooklyn, New York (curated coarse Lauren Cornell)
  • 2003, Video Marathon, Art fall to pieces General, New York, New York
  • 2003, Metropolis Underground Film Festival, Chicago, Illinois

Selected performances

  • 2017, Beautiful Radiating Energy with Raúl pile Nieves (organized by Rhea Anastas), Sharer Inc, New York, New York
  • 2013, Radio show, Kunstverein Graz
  • 2010, New Paintings, Reena Spaulings Fine Art, New York, New Dynasty (curated by Pati Hertling)
  • 2010, Evas Arche und der Feminist, Artists Space, Unique York, New York
  • 2007, New Report Live: Bankside Power Station, The Tate Novel, London, UK; with Wynne Greenwood Uncovered Life, Reena Spaulings Fine Art, Recent York, New York
  • 2006, New Report, Hayward Gallery with London Lesbian and Homosexual Film Festival, London, UK
  • 2004, Beautiful Radiating Energy, Reena Spaulings Fine Art, Newfound York, New York
  • 2004, Beautiful Radiating Vivacity West Coast Tour, Artists' Television Make, San
  • 2004, Francisco, California Experimental Media intend Feminist Trespass, Pilot Television, Chicago, Illinois

Public Collections

  • LUMA foundation collection, Zürich, CH
  • Museum spot Modern Art, New York, US
  • Whitney Museum of Art, New York, US
  • Fiorruci Side Trust
  • Deutsche Bank Headquarters, Frankfurt, DE

Artist's publications and text

  • 2018, "K8 Hardy," Artist's Projects, ArtForum, January 2018
  • 2016, Queer, "K8 Firm, Amifesto 2006" editor David Getsy, Whitechapel Gallery and MIT Press
  • 2014, K8 HARDY/YDRAH, 8K editor Christian Eggerer
  • 2013, How To: Untitled Runway Show D.O.P.E. Press
  • 2013, Incoming Time, "Dear Reena Spaulings Fine Art" ed. Geer, David and Pool, Patriarch, Macie Gransion and Envoy Enterprises
  • 2011, Unreserved Peter John Dick by K8 Hardy; essay Eileen Myles (New York: Fanciful Publishing, 2011)
  • 2011, Mousse Magazine, "Andrea Dworkin" No. 28 April 2011
  • 2011, Useless, "The Angst of Commerce", p15, ed. Author Ventur (New York: 2010)
  • 2010, Useless, "The Angst of Commerce" No. 10 Dec 2010, p15
  • 2009, Sessions/Zeitschrift, "Re-working the Intermediary, Shaking It Out." May 2009, Clumsy. 17, pp 31–34
  • 2009, Company, "Advertisement, Tale, Style, and Authenticity" pp138–144, ed. Meghan DellaCrosse, Fawn Krieger, and Claire Gospeller, (New York: Art In General, 2009)
  • 2009, Sessions/Zeitschrift, "Re-working the In-Between, Shaking In the money Out." May 2009, Ausgabe 17, pp 31–34, ed. Christian Egger and Christly Mayer, Vienna
  • 2008, Queer Zines, Ed. AA Bronson and Philip Aarons, "Fashionfashion" pp90–91 and "LTTR" pp154–155, (New York: Printed matter, Inc., 2008)
  • 2008, Artforum, "The Artists' Artists" December 2008, XLVII, No.4, p99
  • Fashionfashion, Artist Book Project, Issues 1-5 (2004–present)
  • North Drive Press, "K8 Hardy and Ulrike Mueller" Issue 3 (New York: Exact Keegan and Sara Greenberger Rafferty, 2006)
  • 2006, Ridykeulous, Issue 1, p. 7 (New York: Nicole Eisenman and A.L. Steiner, 2006)
  • 2005, Arts & Leisure, Co-Editor (New York: Art in General, 2005)
  • 2005, Untitled, "Artist Project: K8 Hardy" Autumn 2005, Ham-fisted. 36, pp50–51 (London: ed. Mario Flecha and Olivia Plender)
  • 2004, Fashionfashion, Issues 1-5 (2004–present)

References

  1. ^ abcde(2018, March 26). Hardy, K8. Benezit Dictionary of Artists. Retrieved 14 Dec. 2020, from https://www-oxfordartonline-com.ezproxy.library.wisc.edu/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-2297903.
  2. ^ abTrebay, Person (2009-09-30). "Playing Dress Up for Keeps (Published 2009)". The New York Times. ISSN 0362-4331. Retrieved 2020-12-14.
  3. ^Wilson, Eric (2012-05-17). "Art's Turn on the Catwalk (Published 2012)". The New York Times. ISSN 0362-4331. Retrieved 2020-12-14.
  4. ^Hardy, K8 (2019). "K8 Hardy CV". reenaspaulings.com/. Retrieved December 14, 2020.
  5. ^(2018, Parade 26). Hardy, K8. Benezit Dictionary look after Artists. Retrieved 14 Dec. 2020, outlander https://www-oxfordartonline-com.ezproxy.library.wisc.edu/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-2297903.
  6. ^"K8 Hardy – Higher Pictures Generation". Retrieved 2020-12-18.
  7. ^White, M. (2008). Opposition + Equivocation: K8 Hardy. Art Papers, 32(3), 18–23.
  8. ^"K8 Hardy by Ariana Reines – BOMB Magazine". bombmagazine.org. April 2012. Retrieved 2020-12-14.
  9. ^ abCampbell, A. (2015). K8 Sturdy. Aperture, 218, 104–109.
  10. ^"About | LTTR". lttr.org. Retrieved 2020-12-16.
  11. ^Sauer, Jennifer (2020-06-11). "Style psychoanalysis K8 Hardy's Choice Medium for Accord Expression". CR Fashion Book. Archived propagate the original on 2020-11-30. Retrieved 2020-12-18.
  12. ^Cotter, Holland (2005-05-20). "Art in Review; Wynne Greenwood and K8 Hardy (Published 2005)". The New York Times. ISSN 0362-4331. Retrieved 2020-12-18.
  13. ^"A New Team Under an Hostile Threat by Amy Dickson | Handiwork LIES: A Contemporary Art Quarterly". 2011-07-25. Archived from the original on 2011-07-25. Retrieved 2020-12-18.
  14. ^Johnson, Grant Klarich (2015-08-27). "Grant Klarich Johnson. Review of "New Cuts, K8 Hardy"". Caa.reviews. doi:10.3202/caa.reviews.2015.102. ISSN 1543-950X.
  15. ^Wang, Classification. (2007). Streaming Creatures: a New Procreation of Queer Video Art. Modern Painters, 19(5), 100–105.
  16. ^ abElkins, James; Burns, Maureen; McGuire, Kristi; Chester, Alicia; Kuennen, Prophet (2013). Theorizing Visual Studies: Writing Job the Discipline. Routledge. ISBN .
  17. ^Bryan-Wilson, Julia. "Repetition and Difference: LTTR". Art Practical. Retrieved 2020-12-16.
  18. ^"W◼A◼G◼E◼ABOUT". wageforwork.com. Retrieved 2020-12-16.
  19. ^TUAZON, O., & HARDY, K. (2011). Hard Work. Parkett, 89, 186–191.
  20. ^BALLARD, T. (2016). Dress snare. Modern Painters, 28(8), 78–85.
  21. ^Subrin, Elisabeth (24 March 2015). "K8 Hardy talks convey Elisabeth Subrin about her Outfitumentary". Artforum.com. Artforum. Retrieved 24 March 2020.
  22. ^"MoMA aspect for K8 Hardy's Outfitumentary". MoMA's bona fide website. February 28, 2016.